Jennifer Aniston will star in I’m Glad My Mom Died, a 10-episode dramedy adaptation of Jennette McCurdy’s bestselling memoir for Apple TV+. Aniston portrays the narcissistic mother, inspired by Debra McCurdy, bringing her signature depth to a complex character.

Jennette McCurdy is deeply involved as a writer, executive producer, and co-showrunner alongside Ari Katcher. High-profile executive producers include Sharon Horgan, Jerrod Carmichael, and Margot Robbie’s production company, LuckyChap, ensuring that the series maintains a balance between sharp humor and emotional truth.

The series is expected to closely follow the memoir’s heartbreaking and hilarious tone, exploring the codependent relationship between an 18-year-old former child star and her overbearing mother. Fans can anticipate both emotional depth and biting comedic moments with the series confirmed to be in development.

While the series waits, Jennifer Aniston fans still have a buffet of upcoming projects to anticipate.

Jennifer Aniston projects to look forward to

Jennifer Aniston continues to expand her portfolio with several high-profile projects through Echo Films and her ongoing partnership with Apple TV+. Fans can look forward to her return as Alex Levy in The Morning Show Season 5, following the late 2025 premiere of Season 4.

In addition to television, Aniston is producing a modern remake of 9 to 5 for 20th Century Studios. Diablo Cody, the writer of Juno, is scripting the adaptation. While Aniston’s producer role is confirmed, it remains uncertain if she will also appear on-screen.

A contemporary version of The Big Chill is reportedly underway, exploring friends reconvening after a loss, while Aniston has suggested a potential reunion with Jason Bateman, hinting in an interview with PEOPLE at either a third Horrible Bosses installment or a fresh collaborative project. Surely, Aniston has made sure her fans will be well fed this year.

Are you excited to watch Jennifer Aniston in the adaptation of I’m Glad My Mom Died? Let us know in the comments!

The LEGO Group is officially launching a KPop Demon Hunters collection in collaboration with Netflix, offering fans a tangible way to interact with the beloved supernatural world of the 2025 film. The announcement was made jointly on February 4, 2026.

The first set, scheduled for release in the summer of 2026, features Derpy, the magical tiger teased in the promotional material. A brief teaser video shows a blue paw knocking over a potted plant, hinting at playful character details that LEGO has meticulously recreated.

According to the announcement by LEGO and Netflix, pre-orders will begin in spring, allowing collectors and movie enthusiasts to secure the first entry in the KPop Demon Hunters LEGO line. This initial release is only the beginning, as additional sets are planned for 2027 to expand the collection.

Think LEGO is the only player? Other brands are also raising the KPop Demon Hunters game.

Other KPop Demon Hunters collectibles to keep an eye for

Netflix signed multi-year licensing deals with major toy manufacturers to expand KPop Demon Hunters collectibles throughout 2026 and beyond. Mattel and Hasbro will release action figures, role-playing sets, and high-quality collectibles reflecting the film’s supernatural characters.

An official Funko Pop! collection will feature vinyl figures of HUNTR/X and the rival Saja Boys, highlighting distinct costumes and personalities. Fans and collectors can now own miniature versions of their favorite heroes and villains.

The franchise extends into gaming with Fortnite, offering character skins. The characters’ skins include Rumi, Mira, and Zoey, complete with spicy ramyeon back blings, and a limited-time Demon Rush mode to battle waves of demons alongside HUNTR/X.

Creators access official in-game assets to build KPOP Demon Hunters-themed islands. Meaning that fans can now craft their own interactive experiences.

Are you excited for the collaboration? Let us know in the comments!

Tobe Hooper’s The Texas Chain Saw Massacre is officially leaving Netflix on February 18, 2026, according to Netflix Tudum. The departure affects only the 1974 original, whose licensing window is closing, while the platform continues to host the later Netflix-produced sequel.

Fortunately, the film does not vanish with Netflix. Shudder, Peacock, AMC+, Philo, Tubi, Pluto TV, and The Roku Channel continue to stream it, while Prime Video, Apple TV Store, and Fandango at Home preserve it for purchase.

Netflix Tudum also reports that aside from The Texas Chainsaw Massacre, beloved titles such as Mean Girls and Zodiac are also leaving the streaming platform. This has left fans looking for alternative streaming platforms.

While viewers may seek it elsewhere, losing The Texas Chainsaw Massacre slightly thins Netflix’s lineup, taking with it a groundbreaking classic.

Why The Texas Chainsaw Massacre still haunts the audiences decades later

The Texas Chain Saw Massacre endures because Tobe Hooper combined stark realism with psychological terror. Shot on grainy 16mm film during a scorching Texas summer, its visual texture feels raw and immediate, immersing viewers in an almost documentary-like experience.

The film is celebrated for its mastery of suggestion. Rather than showing explicit gore, Hooper relied on sound design and quick cuts, letting viewers’ imaginations supply the most terrifying details, a technique that continues to unsettle audiences decades later.

Plus, there is a reason why its cultural impact remains significant. The emergence of Leatherface, the ‘Final Girl’ Sally Hardesty, and the menacing industrial soundscape established a template for slasher films, influencing countless filmmakers while reflecting societal anxieties of 1970s America.

Even decades later, its tension endures. The clang of metal and the echo of a chainsaw create an atmosphere of relentless dread, ensuring that The Texas Chain Saw Massacre remains a touchstone of horror, admired not just for shocks but for its craft.

Are you going to miss watching The Texas Chainsaw Massacre on Netflix? Let us know in the comments!

Jake Gyllenhaal is returning to Netflix with Kill Switch, an action thriller acquired by the streamer in a competitive deal as reported by Deadline. The project reinforces Netflix’s continued appetite for star-driven thrillers with theatrical ambitions.

Written by Harrison Query, Kill Switch is described as operating in the tense moral territory between Collateral and Sicario. While the logline remains tightly guarded, the comparison signals a grounded, adult thriller rather than spectacle-first franchise fare.

The film will be produced by Matt Reeves and Lynn Harris through 6th & Idaho, alongside Jake Gyllenhaal and Josh McLaughlin’s Nine Stories, plus Scott Glassgold’s 12:01 Films. Deadline’s report underscores how the Kill Switch acquisition mirrors the same team’s recent Amazon MGM deal on Code Black, again with Jake Gyllenhaal attached to star.

With Kill Switch, Jake Gyllenhaal further proves that his brooding mystery thrillers now operate as a genre unto themselves.

How Jake Gyllenhaal turned dark thrillers into his signature genre

Jake Gyllenhaal has turned the modern thriller into a recognizable personal genre. Through Nightcrawler and Zodiac, he defined protagonists driven by obsession rather than heroism. Each performance sharpened his reputation for psychological volatility.

That identity deepened with Prisoners and The Guilty, where tension emerged through restraint and behavioral detail. Gyllenhaal favors internal collapse over spectacle, making unease the primary dramatic engine. The approach links character study directly to suspense.

This throughline continues with projects like Kill Switch, reinforcing continuity rather than reinvention. Gyllenhaal thrillers promise moral instability, slow-burn dread, and emotional abrasion.

Are you glad about Jake Gyllenhaal’s return to Netflix? Let us know in the comments!

Critics argue Superman is now viewed as an underperformer because the CEO publicly linked faster streaming arrivals to weaker theatrical results. Netflix CEO Ted Sarandos said so during his recent Senate Hearing while trying to explain why the superhero movie arrived at the platform so early, despite Netflix claiming to promote the cinema.

“Superman was a little shorter window,” said Ted Sarandos, noting that films which underperform typically reach the platform sooner. The remark fueled criticism that James Gunn’s Superman failed to meet theatrical expectations.

While some were quick to point fingers after watching the hearing on the Committee Activity page, others defended the movie by pointing out that Sarandos might have used Superman as an example. They argue Sarandos held it up as a convenient case study, proving theatrical windows bend when forty-five days feel negotiable.

The film’s short theatrical window had been a talking point, until James Gunn’s reassurances briefly put the debate to sleep.

James Gunn’s defense of the short theatrical run of Superman

James Gunn addressed the backlash in an August interview with ScreenRant, directly defending Superman’s abbreviated theatrical window. He framed the decision as logistical rather than reactive, responding to criticism that the film reached VOD just thirty-five days after release.

According to Gunn, the timing was dictated by Peacemaker Season 2, which functions as a narrative continuation of Superman. When the series premiere moved forward unexpectedly, keeping the film exclusively in theaters risked disrupting story continuity within the emerging DC Universe.

Thus, accessibility became a virtue of necessity. Gunn presented the digital release as a courtesy to continuity, though to skeptics it sounded like an organization masquerading as generosity.

Do you think Superman underperformed? Let us know in the comments!

An interview with the cast of The Bride! parted the curtains on the hilarious way Christian Bale coped with the brutal makeup hours. He would scream every day before he did, he had his prosthetics on.

Because it took so long to transform Bale into Frank every day (whereas Jessie Buckley says her own hair and makeup only took an hour and a half), he found a unique and fitting way to keep himself “from going insane’ in the chair,” as per Entertainment Weekly. Peter Sarsgaard added that rather than ignoring Bale, his and Maggie Gyllenhaal’s daughters joined in on the fun.

“I would scream like crazy, every day,” Christian Bale said, explaining to Entertainment Weekly how pent-up restraint demanded eruption. He also added that he did not like doing this unhinged routine on his own, so he invited his hair and makeup team, too.

This not only turned out to be a ritual for Christian Bale and his makeup team, but his whole crew too. When they started doing it, everyone wanted to chime in.

So, knowing the grueling yet oddly playful routine behind it, missing Christian Bale’s Frankenstein would feel willfully negligent.

A sneak peek into Christian Bale’s version of Frankenstein

Maggie Gyllenhaal’s The Bride! introduces Christian Bale’s Frankenstein as Frank, a creature who speaks, wanders, and decides. Unlike Boris Karloff’s haunted silence, this monster arrives in 1930s Chicago with purpose sharpened by long solitude.

Frank does not wait for fate or villagers. He hires Dr. Euphronius and insists upon a Bride, transforming the legend into a negotiation of agency, loneliness, and entitlement to companionship rather than an accident of ambition.

The body tells the rest. Exposed sutures, a chest tattoo promising ‘Hope,’ and sagging suits, as seen from the trailers themselves, frame Frank as confrontational and unfinished. Meaning Bale would probably present Frankenstein as someone demanding to be seen, not pitied in The Bride!.

Would you try Christian Bale’s coping mechanism any time soon? Let us know in the comments!

Christopher Nolan will reunite with Timothée Chalamet for a special IMAX 70mm screening of Interstellar at the American Cinematheque in Los Angeles on February 9, 2026.

The event will include an exclusive conversation with Chalamet, who played young Tom, offering fans an intimate glimpse into the making of the sci-fi epic and its enduring emotional impact.

Tickets for the members-only event went on sale February 4 at 12:00 PM PT via the American Cinematheque website for $30. The screening will take place at Universal Cinema AMC at CityWalk Hollywood, Auditorium 19.

A pre-show Q&A with Nolan and Chalamet will give attendees rare insight into the film’s legacy and behind-the-scenes stories from its production.

While sharing the stage for Interstellar, Nolan and Chalamet are charting entirely different cinematic adventures set to dazzle in 2026.

Christopher Nolan and Timothée Chalamet set for big projects following Interstellar reunion

Christopher Nolan is preparing The Odyssey, a mythic action epic scheduled for July 17, 2026. Starring Matt Damon as Odysseus, Tom Holland as Telemachus, Anne Hathaway as Penelope, and Zendaya as Athena, the film also features Robert Pattinson, Lupita Nyong’o, Charlize Theron, and Benny Safdie. Shot on IMAX 70mm, it chronicles Odysseus’ perilous 10-year journey home after the Trojan War.

Meanwhile, Timothée Chalamet is riding high with two major projects in 2026: Marty Supreme (January 2026), now one of the season’s biggest hits, in which he stars and produces as ping pong prodigy Marty Mauser, and Dune: Part Three (December 18, 2026), concluding Denis Villeneuve’s trilogy. Following Paul Atreides’ reign as Emperor, it continues 12 years after Dune: Part Two, promising a climactic finale to Chalamet’s iconic sci-fi saga.

What are your thoughts on Christopher Nolan and Timothée Chalamet revisiting Interstellar and its legacy? Share your views in the comments.

Jaden Smith recently showcased his creative direction for Christian Louboutin as the brand’s main Instagram account shared a collaborative all-red-tinted video highlighting the signature Louboutin bottom.

The post featured Smith touring the new collection while confidently trying on shiny Christian Louboutin boots, signaling his bold arrival as the maison’s menswear visionary.

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A post shared by Christian Louboutin (@christianlouboutin)

His appointment represents a historic shift for Christian Louboutin, marking the first time since the brand’s 1991 founding that Monsieur Louboutin delegated creative control of a division.

Smith debuted his first full Fall-Winter 2026 collection during Paris Fashion Week in January 2026, presenting daring, experimental designs reflecting surreal artistry and unconventional storytelling through layered cultural inspirations and symbolism globally.

As historic fashion power shifts unfold, his expanding creative empire begins stretching far beyond traditional luxury footwear boundaries.

Jaden Smith expands artistic leadership at Christian Louboutin

Beyond runway introductions, Jaden Smith is preparing multiple responsibilities, including overseeing four annual Christian Louboutin collections spanning footwear, leather goods, and accessories. His first complete retail launch is expected in June 2026, alongside immersive campaign storytelling.

Smith is also expanding cinematic collaborations, blending photography and film aesthetics into future fashion presentations and multimedia exhibitions across global cultural platforms simultaneously today.

Simultaneously, Smith continues strengthening his entertainment and activism portfolio. He reprises Dre Parker in Karate Kid: Legends, extending the franchise’s global cultural reach into 2026.

Musically, he is expected to follow his 2024 EP with potential touring plans. Meanwhile, his 501CTHREE initiative, JUST Water, and MSFTSrep brand reinforce his commitment toward sustainability and experimental streetwear innovation across youth-driven industries.

What are your thoughts on Jaden Smith reshaping luxury footwear and blending industries? Let us know in the comments.

During a teaser for the Super Bowl episode of New Heights, filmed inside Taylor Swift’s house, Travis Kelce laughed as Jason Kelce joked about show dogs.

Travis Kelce suddenly crashed backward when his chair broke, exclaiming, “Taylor’s gonna ki– me,” he said, while his brother was laughing throughout as the chaotic moment unfolded live during their lively recording session together there.

His confession in the clip landed instantly with fans because Swift’s devoted fandom recognizes her affection for sentimental decor. The ‘Opalite’ singer is known to enjoy antique and vintage items, prompting online jokes that Travis Kelce may have damaged a rare collectible, amplifying humor as audiences imagined the superstar reacting to a potentially priceless household casualty within her cherished collection.

While laughter fueled viral speculation, their real-life relationship developments quietly reveal serious milestones approaching for the celebrity couple.

Taylor Swift and Travis Kelce remain focused on commitment while managing public expectations

As of early February 2026, Taylor Swift and Travis Kelce remain engaged after reportedly confirming their commitment in August 2025. The couple is planning their wedding with intense precision while balancing demanding careers.

Recently, their mothers, Andrea Swift and Donna Kelce, were spotted bonding at the Sundance Film Festival, signaling growing family ties. Both stars skipped the 2026 Grammys, while Travis Kelce confirmed skipping the Pro Bowl amid retirement speculation and Netflix broadcasting talks.

Meanwhile, Taylor Swift announced a rare touring pause, prioritizing rest after the record-breaking Eras Tour and evaluating future creative commitments carefully ahead.

What are your thoughts on Travis Kelce’s viral mishap and their relationship milestones? Let us know in the comments.

Marvel is reportedly considering Damson Idris, who appeared in F1: The Movie, for the next Black Panther, according to verified scooper @DanielRPK on X.

Idris plays Joshua Pearce in F1: The Movie, which was just nominated for Best Picture at the 2026 Academy Awards, strengthening industry attention toward his possible casting in future Avengers projects or Black Panther 3 films.

Several developments hint that Daniel Richtman’s Patreon report might hold weight, including industry chatter linking Idris to Avengers: Secret Wars discussions.

Idris’ public appearances alongside franchise veterans and social media engagement further intensify speculation, suggesting internal conversations within Marvel may already be progressing quietly behind closed doors at present times.

While mounting evidence fuels anticipation, Idris’ own public statements carefully balance enthusiasm, secrecy, and professional diplomacy.

Damson Idris discusses Black Panther 3 excitement while staying cautious about rumors

Speaking to Variety during the 2026 Golden Globes, Damson Idris expressed gratitude toward fans supporting the casting speculation. He emphasized that the discussions remain rumors but praised the Black Panther franchise’s world-building and storytelling legacy.

Idris added that he believes the series is moving in a brilliant direction, while expressing excitement about the anticipated third installment’s creative trajectory and cultural impact globally.

Following Chadwick Boseman’s death, Marvel chose not to recast T’Challa in Black Panther: Wakanda Forever, instead passing the mantle to Shuri and introducing T’Challa’s son.

However, franchise expansion plans and potential post-Avengers: Secret Wars narrative resets have revived recasting discussions, with theories ranging from multiverse variants to an aged Toussaint leading Wakanda’s next cinematic era for global audiences worldwide soon.

What are your thoughts on Damson Idris as Wakanda’s potential successor? Let us know in the comments.