Marvel’s New Villains’ Hidden Connection With The Boys Explained

Credits: The Deep, Black Noir and Reggie Franklin in The Boys/@theboystv via Instagram
Credits: The Deep, Black Noir and Reggie Franklin in The Boys/@theboystv via Instagram
Marvel’s latest crop of villains, especially the Punisher’s new adversary Ma Gnucci, turns out to share a deeper, behind-the-scenes link with the ultra dark The Boys universe that most casual viewers are unlikely to spot at first glance. The connection lies not in shared continuity, but in the creative force behind both worlds: Garth Ennis.
Garth Ennis is someone whose work has shaped both Punisher lore and the brutal satire that defines The Boys. In The Punisher: One Last K***, Judith Light plays Ma Gnucci, the ruthless head of the Gnucci crime family who sets a deadly chain of events in motion by targeting Frank Castle.
The character first appeared in Punisher (Vol. 5) #4, written by Garth Ennis during his ‘Welcome Back, Frank’ run, which redefined the anti-hero through a mix of extreme violence and dark humor. Those same tonal choices later became a signature of The Boys, which Ennis co-created with Darick Robertson.
That shared authorship gives both worlds a similar edge. Ma Gnucci and the characters of The Boys exist in separate universes, yet they reflect the same creative instincts that favor chaos, moral ambiguity, and exaggerated brutality. For longtime readers, her inclusion feels less like a random deep cut and more like a quiet extension of Ennis’s storytelling voice across franchises.
That tonal overlap carries forward into how Frank Castle himself is repositioned by the story.
Where Frank Castle Stands After One Last K***
The Punisher: One Last K*** closes by reanchoring Frank Castle in a familiar role as a relentless vigilante operating in New York. The story begins with him attempting to step away after believing his mission is complete, only for Ma Gnucci to pull him back into violence.
By the end, he has fully recommitted to the Punisher identity, even as emotional scars remain unresolved. While the film avoids a direct setup for Spider-Man: Brand New Day, it positions Frank in a way that makes future crossovers plausible.
His protective instincts, especially toward vulnerable civilians, hint at how he could intersect with younger heroes or return to the world of Daredevil: Born Again. The narrative leaves room for his story to expand, whether through alliances, conflicts, or another standalone arc rooted in the same gritty tone like that of The Boys.
What do you think about this hidden connection between Marvel’s darker villains and The Boys? Let us know in the comments.
Written by
Pratham Gurung
Edited by

Adiba Nizami