The Devil Wears Prada 2 Lands With a 75% Rotten Tomatoes Rating

Credits: IMAGO / MediaPunch
Credits: IMAGO / MediaPunch
The Devil Wears Prada 2 has landed with a 75% rating on Rotten Tomatoes, cementing its status as a cult-tinged modern classic. The original 2006 release blended glossy fashion satire with a sharp workplace drama, earning a devoted following over time. What began as a stylish adaptation of The Devil Wears Prada grew into a defining pop culture touchstone that its reception will now reflect.
The Devil Wears Prada 2 has arrived at the gate with a 75% Tomatometer on Rotten Tomatoes, landing the film squarely in “Fresh” territory and giving it a score that closely mirrors the original’s critical reception. After two decades of queries, gifs, and quotes about “that’s all” and cerulean, the sequel shows that the appetite for fashion‑world satire has not faded, even as the industry itself has changed around it.
Critics sampling the new film highlight a story that comfortably leans into nostalgia—Miranda’s cutting one‑liners, Andy’s widened perspective, and the sense of a bygone editorial era—while still threading in fresh wrinkles about social media, influencer culture, and the blurred line between personal brand and real identity.
Reviews also note that the film is strongest when it focuses on the three‑way dynamic between Streep, Hathaway, and Emily Blunt, whose entrance adds its own sharp, Gen‑Z‑tinged edge to the legacy. Some take it as a polished, high‑gloss comfort watch, more interested in emotional payoff and catwalk moments than narrative risk, yet still effective enough to satisfy fans who grew up with the first film.
That enduring appeal now sets the stage for a sequel with far bigger expectations at the box office.
Sequel momentum and box office expectations
The Devil Wears Prada 2 is shaping up to be one of the breakout hits of the early summer circuit, with projections pointing to a roughly $75–$80 million domestic opening and a near‑$180 million global debut when the film hits theaters on May 1. That international bump would give the film around a 100% offshore footprint, with strong pre‑release interest from territories that embraced the original.
From the UK and Germany to Japan and Australia, the 2006 film posted surprisingly robust numbers. With around 4,150 North American theaters and 1,000 premium large‑format screens, including Dolby, ScreenX, and D‑Box, the sequel is positioned to lure both fashion‑forward women and general‑audience moviegoers.
The film is aided by cross‑promotions from brands like L’Oréal, Dior, Mercedes‑Benz, and Diet Coke. Analysts also note that the PG‑13, female‑skewing profile could help the film play better into the Mother’s Day frame, extending its runway beyond a front‑loaded opening of 75% on Rotten Tomatoes.
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Written by
Pratham Gurung
Edited by

Adiba Nizami